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Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral) by Domenico Beccafumi

Medium

Pen and brown ink, brush and brown wash, over leadpoint or black chalk

Dimensions

3 3/4 x 16 7/8in. (9.5 x 42.9cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Cornelius Vanderbilt, 1880

Accession Number

80.3.184

Rights

Public Domain

Tags

MenWomen

Art Historical Context

Domenico Beccafumi, a leading Sienese Mannerist artist active in the early 16th century, this intricate drawing as a preparatory study for the inlaid-marble pavement of Siena Cathedral—one of the most ambitious artistic projects of the Italian Renaissance. Dating from around 1520–50, it depicts the left-hand portion of border beneath the "Sacrifice of Isaac", part of a grand floor mosaic executed between 1369 and 1547. These pavements, viewable only from above by worshippers and visitors, demanded innovative designs with dramatic foreshortening to create illusions of depth when trodden upon. Rendered in pen and brown ink with brush and brown wash over leadpoint or black chalk, the sheet measures a modest 3 3/4 x 16 7/8 inches, yet brims with precise figural detail. A procession of men and women winds elegantly, showcasing Beccafumi's mastery of line and subtle tonal modeling—techniques that translated seamlessly into the cathedral's commesso marble intarsia, where colored stones mimicked painting. This work highlights his contributions to Siena's artistic revival amid regional rivalries with Florence. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Cornelius Vanderbilt, 1880), it offers a rare glimpse into the planning of a UNESCO-recognized marvel, blending devotion, engineering, and artistry in Renaissance Italy.

About the Artist

Domenico Beccafumi · 14841551

Italian artist. Comment on works: History

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