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Progress of Gallantry or Stolen Kisses Sweetest

Progress of Gallantry or Stolen Kisses Sweetest by Thomas Tegg|Thomas Rowlandson

Medium

Hand-colored etching

Dimensions

Plate: 13 13/16 × 9 13/16 in. (35.1 × 24.9 cm) Sheet: 14 3/16 × 10 1/16 in. (36 × 25.6 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.1252

Rights

Public Domain

Tags

SatireCouplesMenWomenTelescopes

Art Historical Context

Created in 1814 by the acclaimed British caricaturist Thomas Rowlandson and published by Thomas Tegg, *Progress of Gallantry or St Kisses Sweetest* a hand-colored etching that captures the playful spirit of Regency-era romance through satire. This print, measuring about 14 by 10 inches, depicts amorous couples in various flirtatious encounters, with telescopes adding a humorous twist—perhaps poking fun at voyeuristic courtship or the era's obsession with gentlemanly pursuits. Released on February 14, just before Valentine's Day became popularized, it whimsically explores the "progress" of gallantry, from stolen kisses to bolder advances. Rowlandson, a master of caricature during the late 18th and early 19th centuries, was renowned for his lively, exaggerated style that lampooned social norms, fashions, and human follies. Hand-coloring, a labor-intensive technique applied after printing, brought vibrant life to the etched lines, making these affordable prints highly sought after by the middle class for their wit and visual punch. This medium allowed for mass appeal while critiquing the superficialities of courtship rituals amid Napoleonic-era social upheavals. Housed in the Metropolitan Museum of Art's Elisha Whittelsey Collection, the work exemplifies how satire served as both entertainment and social commentary in Georgian Britain, inviting viewers to chuckle at timeless romantic escapades. A delightful glimpse into 19th-century humor!

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