Rest, a Landscape with Figures and Cattle, after Nicolaes Berchem
Medium
Etching on chine collé
Dimensions
Sheet: 19 5/16 × 12 13/16 in. (49 × 32.5 cm) Plate: 7 7/8 × 5 7/8 in. (20 × 15 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Rogers Fund, 1912
Accession Number
12.191.19
Rights
Public Domain
Tags
Art Historical Context
**Rest, a Landscape with Figures and Cattle, afteres Berchem** invites visitors into the serene world of 17th-century pastoral life, reimagined through a masterful 19th-century print Originally inspired by Nicolaes Berchem a leading figure of the Dutch Golden Age, the scene captures figures—likely women—resting amid lush landscapes dotted with cattle, cows, and sheep. Berchem was renowned for his "Italianate" landscapes, idealized Italian scenery with lively Dutch figures and animals, evoking harmony between humanity and nature during a prosperous era of artistic innovation. This 1871 etching on chine collé, credited to François Liénard, Jules-Ferdinand Jacquemart, and published by P. & D. Colnaghi & Co., exemplifies the era's revival of old master techniques. Etching, an intaglio process where acid bites designs into a metal plate, allowed for exquisite detail, while chine collé—gluing delicate Chinese paper to a sturdy support—enhanced tonal subtlety and preserved fragility. At 19 5/16 × 12 13/16 inches (sheet), it made Berchem's idyllic visions accessible to a wider audience, reflecting 19th-century enthusiasm for reproductive prints that democratized art collecting. Acquired via the Rogers Fund in 1912, this Metropolitan Museum of Art treasure highlights how prints bridged centuries, preserving Berchem's enduring appeal for themes of rest and rural tranquility. A perfect pause for reflection in our virtual galleries!