Rokugo, from the series "A Record of a Journey to Enoshima (Enoshima kiko)"

Art Historical Context

Step into the vibrant world of19th-century Japanese uyo-e with *Rokugo*, a color woodblock print by Totoya Hokkei from his 1833 series *A Record of a to Enoshima (Enoshima kiko)*. Hokkei, a skilled pupil of the master Katsushika Hokusai, captures a scenic moment along the pilgrimage route to Enoshima, the sacred island shrine near Kamakura celebrated for its spiritual allure and stunning coastal views. This intimate shikishiban-format print—square and compact at 21 × 18.3 cm—evokes the wanderlust of Edo-period travelers documenting their adventures. As a surimono, a deluxe privately commissioned print often produced for New Year's or poetic gatherings, *Rokugo* showcases exquisite printing techniques. Artisans layered vibrant colors, metallic pigments like mica for a shimmering effect, and subtle embossing to create texture, elevating it beyond mass-produced ukiyo-e. These luxurious sheets were treasured by literati circles, blending art with haiku poetry and seasonal themes. Hokkei's work reflects the golden age of Japanese woodblock printing, preserving everyday journeys with poetic precision. Held in the Art Institute of Chicago's Arts of Asia collection, it invites us to ponder the cultural reverence for nature and pilgrimage in feudal Japan.

About the Artist

Totoya Hokkei · 1780–1850

Totoya Hokkei (魚屋 北渓, 1780–1850), born Iwakubo Tatsuyuki in Edo (modern Tokyo), began his life as a humble fishmonger in the Yotsuya Samegahashi district, a trade reflected in his art name "Totoya," meaning fish shop. He transitioned to art through rigorous training, first studying under Kanō Yōsen'in Korenobu, head of the Kobikichō branch of the prestigious Kanō school, where he honed landscape p...