Artheon MuseumArtheonMuseum

Rouler Moor, Cornwall

Rouler Moor, Cornwall by Thomas Rowlandson

Medium

Hand-colored etching

Dimensions

Plate: 6 7/8 × 9 3/4 in. (17.4 × 24.8 cm) Sheet: 7 3/8 × 10 3/16 in. (18.7 × 25.8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.1644(18)

Rights

Public Domain

Tags

Landscapes

Art Historical Context

Thomas Rowlandson's *Rouler Moor, Cornwall*1822) captures the rugged beauty of Cornwall's wild moorlands in a delicate hand-colored etching, a that was immensely popular in early 19th-century Britain. Rowlandson, renowned for his witty satirical caricatures and lively watercolors, occasionally turned to topographical landscapes like this one, blending his keen observation of everyday scenes with the Romantic era's fascination for untamed nature. Printed from an etched copper plate and meticulously colored by hand, the work exemplifies the era's printmaking techniques, which allowed affordable distribution of vivid, personalized images to a growing middle-class audience. This intimate plate (6 7/8 × 9 3/4 in.) evokes the dramatic Cornish terrain—rolling moors, distant hills, and open skies—reflecting Britain's growing appreciation for regional scenery amid industrialization. Created late in Rowlandson's career (he died in 1827), it showcases his fluid linework and subtle coloring, bridging caricature's humor with serene landscape tradition. Housed in the Metropolitan Museum of Art's Drawings and Prints department, thanks to The Elisha Whittelsey Collection, this print offers visitors a window into Regency England's picturesque wanderlust and the artistry of hand-finished prints.

About the Artist

Thomas Rowlandson · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

    Send Feedback

    We use this only to reply to your feedback.