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Roundel with Adoration of the Magi

Heinrich Aldegrever

ca. 1535–45

Roundel with Adoration of the Magi by Heinrich Aldegrever

Medium

Colorless glass, silver stain, vitreous paint

Dimensions

13 1/4 × 1/4 in. (33.7 × 0.6 cm)

Classification

Glass-Stained

Culture

German

Department

The Cloisters

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Cloisters Collection, 1932

Accession Number

32.24.69

Rights

Public Domain

Tags

Virgin MaryJesusAdoration of the Magi

Art Historical Context

Nestled in the serene galleries of The Cloisters, this exquisite *Roundel with Adoration of the Magi by German artist Heinrich Aldegreverca. 1535–45) captures a timeless biblical moment. The circular panel depicts the Virgin Mary and Christ Child receiving gifts from the three wise men, a scene rich in Christian iconography symbolizing the revelation of Jesus to the Gentiles. Aldegrever, a master engraver from the Northern Renaissance and part of the "Little Masters group, likely designed this for domestic or ecclesiastical settings, where such roundels adorned windows to filter divine light. Crafted from colorless glass enhanced with silver stain—a groundbreaking 14th-century technique that fires yellow tones directly into the glass—and vitreous paint for fine details, the work exemplifies 16th-century German stained glass innovation. During the Reformation era in the Holy Roman Empire, these panels blended late Gothic piety with emerging Renaissance naturalism, their jewel-like tones glowing warmly against stone walls. Measuring just 13¼ inches across, this delicate piece from The Cloisters Collection invites visitors to ponder the Magi's journey and the artistry of light. It reflects Germany's vibrant glassmaking tradition, bridging faith and craftsmanship in an age of religious upheaval. (198 words)

About the Artist

Heinrich Aldegrever · 15021561

Heinrich Aldegrever, born in 1502 in Paderborn, Westphalia, to parents Herman and Katherine Trippenmeker—a family of clog-makers known by the dialect name Trippenmecker—emerged as a multifaceted artist in the German Renaissance. His early training remains undocumented, though he likely apprenticed in a Soest goldsmith's workshop after relocating there around 1525, where he joined the painters' gui...

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