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Rural Landscape, "Radstadt am Tauren"

Rural Landscape, "Radstadt am Tauren" by Johann Christoph Erhard|C. Viehbeck

Medium

Etching; second state

Dimensions

plate: 7 3/4 x 11in. sheet: 11 5/8 x 15 7/8 in.

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1931

Accession Number

31.86.6

Rights

Public Domain

Tags

HorsesHousesMenLandscapesTrees

Art Historical Context

This etching, titled *Rural Landscape, "Radstadt am Tauren,"* captures a serene alpine scene from the early nineteenth century. Created by Johann Christoph Erhard in collaboration with C. Viehbeck, the print depicts a tranquil village setting with clustered houses, towering trees, figures tending horses amid rolling hills. Likely representing the Austrian town of Radstadt in the Tauern mountains, the work reflects the period’s growing fascination with unspoiled nature and rural life. As an etching in its second state, the piece showcases the medium’s ability to render fine details and atmospheric depth through delicate linework and tonal variation. Etchings like this allowed artists to reproduce intricate landscapes for wider audiences, bridging the gap between original drawings and accessible art. The composition balances human presence with the grandeur of the natural environment, inviting viewers to appreciate both the everyday rhythms of village life and the majestic surroundings. Acquired by the Metropolitan Museum of Art in 1931 through the Harris Brisbane Dick Fund, this print belongs to the museum’s renowned Drawings and Prints collection. It offers a window into early Romantic sensibilities, where artists celebrated the quiet poetry of the countryside.

About the Artist

Johann Christoph Erhard|C. Viehbeck · 17951822

Johann Christoph Erhard (1795–1822) was a German painter and etcher of the Romantic era whose sensitive landscape studies and skillful prints earned him a growing reputation before his tragically early death at twenty-six. Born in Nuremberg, he studied at the Nuremberg Academy and later in Munich, where he was influenced by the Romantic landscape tradition and the revival of interest in the art of...

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