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"Rustam's First Encounter with Afrasiyab", Folio from a Shahnama (Book of Kings)

Abu'l Qasim Firdausi|Mu'in Musavvir

dated A.H. 1077/ 1666–67 CE

"Rustam's First Encounter with Afrasiyab", Folio from a Shahnama (Book of Kings) by Abu'l Qasim Firdausi|Mu'in Musavvir

Medium

Ink, opaque watercolor, silver, and gold on paper

Dimensions

H. 13 5/8 in. (34.6 cm) W. 8 5/8 in. (21.9 cm)

Classification

Codices

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Richard Ettinghausen, 1975

Accession Number

1975.192.24

Rights

Public Domain

Tags

HorsesMen

Art Historical Context

Behold this exquisite folio from the *Shahnama* (Book of Kings), the Persian poem by Abu'l Qasim Firda, completed around 1010 CE. Titled "Rustam's First with Afrasiyab it captures the heroic warrior Rustam—Persia's legendary champion—clashing with the Turanian king Afrasiyab, his arch-nemesis. Painted by the masterful Safavid artist Mu'in Musavvir dated 1666–67 CE, this scene pulses with drama, featuring charging horses and armored men locked in fierce combat, evoking the timeless tales of valor and rivalry that defined Iranian identity. Crafted during the Safavid dynasty's golden age of manuscript illumination, the artwork employs traditional techniques: intricate ink outlines filled with vibrant opaque watercolors, accented by shimmering gold and silver on fine paper. Measuring just 13⅝ × 8⅝ inches, its miniature scale demands close viewing to appreciate the dynamic compositions and jewel-like details, hallmarks of Isfahan's school of painting. These folios from codices like this one preserved oral epics in visual splendor, blending poetry with artistry for elite patrons. A gift to the Metropolitan Museum of Art in 1975, this piece highlights the *Shahnama*'s enduring cultural legacy, inspiring generations with its blend of myth, history, and breathtaking beauty.

About the Artist

Abu'l Qasim Firdausi|Mu'in Musavvir · 9351020

Abu'l Qasim Firdausi, born around 940 in the village of Paj near Tus in Khorasan (modern-day Iran), emerged from a family of landed gentry known as dehqans, who preserved ancient Iranian oral traditions amid the cultural renaissance of the Samanid Empire. Little is documented about his early life or formal training, though he likely received a basic education including Arabic literacy, immersing h...

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