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Saint Catherine, sword in her right hand, palm in her left

Nicoletto da Modena

ca. 1500–1510

Saint Catherine, sword in her right hand, palm in her left by Nicoletto da Modena

Medium

Engraving

Dimensions

sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1934

Accession Number

34.56

Rights

Public Domain

Tags

SwordsSaint Catherine

Art Historical Context

Behold *Saint Catherine, Sword in Her Right Hand, Palm in Her Left*, a engraving by Nicoletto da Modena, created around 1500–0. This intimate work, measuring just 5 7/8 x 4 1/8 inches, captures the Christian martyr Saint Catherine of Alexandria. She stands poised with a sword in her right hand—symbolizing her beheading after surviving a spiked wheel—and a palm frond in her left, traditional emblem of victory over death. Nicoletto, an Italian engraver from Modena active in the late Renaissance, drew inspiration from masters like Andrea Mantegna, blending precise line work with expressive figures. Engraving, the medium here, was revolutionary in the early 16th century, allowing artists to produce affordable, reproducible images that spread religious iconography across Europe. Nicoletto's technique shines in the fine, cross-hatched lines that convey texture, from the saint's flowing robes to her determined gaze, making this print a testament to the era's technical innovation and devotional fervor. Housed in the Metropolitan Museum of Art's Drawings and Prints department, thanks to the Harris Brisbane Dick Fund of 1934, it offers visitors a window into Renaissance printmaking's role in popularizing saints' stories. Fun fact: Such small-scale engravings were often collected in books of hours or carried as personal talismans, bridging art and everyday piety during a time of religious upheaval.

About the Artist

Nicoletto da Modena

Nicoletto da Modena was an Italian engraver active in the late fifteenth and early sixteenth centuries, one of the most prolific and stylistically eclectic printmakers of the early Italian Renaissance. The details of his biography remain uncertain — his precise birth and death dates are unknown, and he is identified primarily through the body of prints that bear his name or monogram. He appears to...

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