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Saint Dorothea with Jesus and a Basket of Roses, and with the Trinity below (from a series with The Virgin Mary and Five Standing Saints)

Unknown Artist

1440–46

Saint Dorothea with Jesus and a Basket of Roses, and with the Trinity below (from a series with The Virgin Mary and Five Standing Saints) by Unknown Artist

Medium

Pot-metal glass, white glass, vitreous paint, silver stain

Dimensions

Each window 12 ft. 4 1/2 in. x 28 1/4 in. (337.2 x 71.8 cm)

Classification

Glass-Stained

Culture

German

Department

The Cloisters

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Cloisters Collection, 1937

Accession Number

37.52.5

Rights

Public Domain

Tags

WomenSaints

Art Historical Context

Nestled in the serene medieval galleries of The Cloisters at the Metropolitan Museum of Art, this stunning stained-glass window from 144046 depicts *Saint Dorothea with and a Basket of Roses and with the Trinity below Created by an unknown German artist, it forms part of a larger series featuring the Virgin Mary five standing saints. Saint Dorothea, a early Christian martyr, is shown receiving roses from the Christ Child—a nod to her legend, where she miraculously sent heavenly blooms to a skeptic on her execution day. Below, the Holy Trinity underscores the panel's devotional theme, inviting worshippers to contemplate divine grace. Crafted in the late Gothic style, the window measures an impressive 12 feet tall by 28 inches wide, designed to flood cathedral spaces with vibrant light. The artist masterfully employed pot-metal glass for rich, jewel-toned colors, layered with white glass, vitreous paint for details, and silver stain for glowing yellows and flesh tones. These techniques, perfected in 15th-century Germany, allowed for lifelike expressions and intricate patterns, transforming sunlight into a celestial narrative. Housed in The Cloisters Collection since 1937, this German treasure reflects the era's fervent piety and technical innovation in stained glass, a medium that brought scripture to life for illiterate congregations. It's a luminous reminder of how art once served as a bridge between earth and heaven.

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