Saint Stephen (with the Angel of the Annunciation)

Art Historical Context

This elegant panel by the Sienese painter Martino di Bartolommeo di Biagio portrays Saint Stephen alongside a small image of the Angel of the Annunciation. Created in tempera on wood with a luminous gold ground, the work reflects the devotional art of late medieval and early Renaissance Italy. Such panels often formed part of larger altieces in churches, where the brilliant gold background evoked divine light and heavenly presence, drawing worshippers into contemplation. Saint Stephen, the first Christian martyr, is shown holding a book, symbolizing his role as a deacon and preacher. The inclusion of the Annunciation angel suggests the panel may have belonged to a multi-part altarpiece that united scenes of martyrdom and incarnation. Martino’s careful attention to the saint’s expressive face and the delicate folds of his robes highlights the artist’s skill in combining narrative clarity with graceful ornament. Acquired by the Metropolitan Museum through the Theodore M. Davis bequest in 1915, the painting preserves the intimate scale and rich materials typical of Sienese religious art. Its shaped top and engaged frame further indicate it was designed for a specific architectural setting, inviting visitors to appreciate both its spiritual message and its refined craftsmanship.