48/52

About this artwork

collector's mark: Lugt 2228

Art Historical Context

**48/52 by Nicolas Chaperon (9)** Nicolas Chaperon, a Baroque artist active in the mid-17th century, this etching as the 48th installment in series of 52 prints likely drawing from biblical or mythological themes popular in his era. Produced in 1649, amid the artistic flourishing of Louis XIV's early reign, the work reflects the period's emphasis on dramatic narratives and religious devotion. Chaperon's time in Rome influenced his style, blending intricate line work with the grandeur of Baroque composition, making his prints accessible reproductions of grand painting traditions. Etching, the chosen medium, was revolutionary for its precision—acid etching into a metal plate allowed Chaperon to achieve delicate, expressive lines in this 253 × 295 mm sheet. This technique democratized art, enabling wider distribution of elaborate designs beyond oil paintings. The plate's modest scale invites intimate viewing, revealing fine details that capture light, shadow, and emotion. Bearing the collector's mark Lugt 2228 (from Lugt's comprehensive catalog of ownership stamps), this piece boasts distinguished provenance, linking it to esteemed 18th- or 19th-century connoisseurs. For visitors, *48/52* offers a window into 17th-century printmaking mastery, perfect for appreciating how etchings bridged elite art and everyday admiration.