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Scene of the Tribunal (The Verdict)

Honoré Daumier

c. 1865-1867

Scene of the Tribunal (The Verdict) by Honoré Daumier

Medium

pen and ink over charcoal, pieced on laid paper and laid down

Dimensions

overall: 36.2 x 41.2 cm (14 1/4 x 16 1/4 in.)

Classification

Drawing

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.3235

Rights

Public Domain

Art Historical Context

Honoré Daumier’s *Scene of the Tribunal ( Verdict)*, created around 1865-1867, captures tense drama of a courtroom verdict in this masterful drawing. Executed in pen and ink over charcoal pieced laid paper, the work measures 36.2 x 41.2 cm and exemplifies Daumier’s incisive of 19th-century French society Housed in the National Gallery of Art Rosenwald Collection, it the artist’s ability to convey human emotion and social critique through dynamic sketches. A pioneer of Realism, Daumier (1808-1879) was renowned for his satirical lithographs and drawings that skewered the bourgeoisie, politicians, and the legal system during France’s Second Empire. His tribunal scenes, like this one, often highlighted the absurdities and injustices of the judiciary, reflecting his own brushes with censorship—he was imprisoned in 1832 for a caricature of King Louis-Philippe. This piece underscores his commitment to social commentary, blending caricature with profound empathy for the downtrodden. The mixed-media technique—charcoal for broad tonal modeling beneath precise ink lines—allowed Daumier to achieve remarkable depth and immediacy on pieced paper, a practical method for expanding compositions. As a study rather than a finished print, it reveals the raw energy of his creative process, making it a gem for visitors interested in the roots of modern caricature and realist draftsmanship.

About the Artist

Honoré Daumier · 18101879

Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...

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