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Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun"

Unknown Artist

664–30 B.C.

Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun" by Unknown Artist

Medium

Cupreous metal, precious metal inlay

Dimensions

H. 28.6 × W. 5.8 × D. 9 cm (11 1/4 × 2 5/16 × 3 9/16 in.)

Classification

Statue, Harpokrates, seated; 138-ram-case

Period

Late Period–Ptolemaic Period

Department

Egyptian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. S. W. Straus, 1925

Accession Number

25.184.19

Rights

Public Domain

Tags

Amun

Art Historical Context

Behold the exquisite *Seated Harpokrates with the crown of Amun*, a captivating bronze-like statue from Egypt's Late Period to Ptolemaic era (664–30 B.C.). This 28.6 cm tall figure depicts Harpokrates—the Greek form of the child god Horus—seated in a protective pose, adorned with the towering double-plumed crown of Amun, the supreme god of Thebes. An inscription proclaims him "Harpokrates-the-great, the eldest, the first of Amun," highlighting the divine fusion common in this time of cultural blending under native and Greek Ptolemaic rulers. Crafted from cupreous metal (a durable copper alloy) with precious metal inlays—likely gold or silver for eyes, jewelry, or accents—this sculpture exemplifies Late Period artistry. The inlays added luminous highlights, symbolizing the gods' eternal radiance and the object's sacred value, often reserved for temple votives or elite devotion. Such techniques showcased metallurgists' mastery, blending solidity with opulent detail. In Ptolemaic Egypt, syncretizing Harpokrates (guardian of secrets, finger to lips) with Amun reflected evolving beliefs in divine protection and kingship. Gifted to the Metropolitan Museum of Art in 1925, this rare piece invites us to ponder ancient spirituality's enduring allure.

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