Section of the South Side of Zuni Pueblo, N.M.
Medium
Albumen print, from the album "Geographical & Geological Explorations & Surveys West of the 100th Meridian," vol. 2
Dimensions
Image/paper: 20 × 27.4 cm (7 7/8 × 10 13/16 in.); Album page: 38.2 × 49.8 cm (15 1/16 × 19 5/8 in.)
Classification
albumen print from collodion negative
Department
Photography and Media
Museum
Art Institute of Chicago
Accession Number
181389
Rights
Public Domain
Art Historical Context
Captured in 1873 by pioneering photographer Timothy O'Sullivan,Section of the South Side Zuni Pueblo, N.* offers a rare glimpse into the daily life and architecture of the Zuni people in New Mexico. O'Sullivan, a master of 19th-century landscape photography, documented this scene as part of the U.S. Army's ambitious "Geographical & Geological Explor & Surveys West of the100th Meridian," led by Lieutenant George Wheeler. expeditions, spanning the 1870s, mapped theamed American West, blending scientific inquiry with artistic vision to fuel national expansion and understanding of indigenous cultures. Printed as an albumen print from a collodion negative—a cutting-edge wet-plate process that yielded sharp, richly toned images—this 20 × 27.4 cm photograph captures the multi-storied adobe structures of Zuni Pueblo clinging to the arid landscape. Albumen prints, coated with egg white for a glossy surface, were ideal for reproducing detailed survey records in bound volumes like Wheeler's Volume 2, making remote vistas accessible to scholars and the public back East. O'Sullivan's work holds enduring significance as early ethnographic photography, preserving a pre-industrial Native American community amid rapid Western settlement. Housed in the Art Institute of Chicago's Photography and Media Department, it reminds us how images like this bridged art, science, and history, shaping perceptions of America's diverse frontiers.
About the Artist
Timothy O'Sullivan · 1840–1882
Timothy H. O'Sullivan (c. 1840–1882) emerged as one of America's pioneering photographers during a transformative era. His early life remains sparsely documented, with records suggesting he was born either in New York City or Ireland before immigrating young, possibly growing up on Staten Island. As a teenager, he apprenticed under Mathew Brady at his Fulton Street gallery in New York, mastering w...