See, Mr. Réac, it is quite enought!, from 'News of the day,' published in Le Charivari, March 30, 1871

Art Historical Context

Honoré Daumier, a master of 19th-century French caricature and a key figure in Realism, created this satirical print for *Le Charivari*, a renowned Parisian newspaper known for its biting political commentary. Titled *See, Mr. Réac, it is quite enough!* and published on March 30 1871, it amid the chaos of the Paris Commune—a uprising following France's defeat in the Francoussian War. Daumier's sharp wit targeted societal hypocrisies, with "Réac" likely mocking a reactionary figure exasperated by the day's turmoil, featuring both men and women in a lively exchange. The medium, gillotage on newsprint, exemplifies innovative printing techniques of the era. Developed by Firmin Gillot, gillotage allowed detailed reproductions of drawings via etched zinc plates, enabling mass production for affordable newspapers. Daumier's bold, expressive lines and exaggerated features shine through, capturing dynamic gestures and facial expressions that amplify the humor and critique—hallmarks of his prolific output of over 4,000 lithographs. This piece, now in the Metropolitan Museum of Art's Drawings and Prints department (bequest of Edwin De T. Bechtel, 1957), highlights Daumier's role in shaping public opinion through accessible art. It offers a vivid snapshot of 1871 Paris, blending artistry with journalism to provoke thought and laughter.

About the Artist

Honoré Daumier · 1810–1879

Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...