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Selected Prints from Edward Hasted's, The History and Topographical Survey of the County of Kent, vols. 1-3

Selected Prints from Edward Hasted's, The History and Topographical Survey of the County of Kent, vols. 1-3 by John Bayly|Richard Bernard Godfrey|Thomas Sandby|Thomas Milton|William Watts|Sir Roger Twisden|Eleanora Johnson|Rev. Joseph Milner

Medium

Illustrations: etching and engraving

Dimensions

Overall: 17 5/16 × 11 × 13/16 in. (44 × 28 × 2 cm) Sheet: 16 15/16 × 10 5/8 in. (43 × 27 cm)

Classification

Books

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Bonnie and Manuel Schonhorn, 2014

Accession Number

2014.599.1–.30

Rights

Public Domain

Art Historical Context

Step into the rich heritage of 18th-century England withSelected Prints from Edward H's, The History andographical Survey of the County Kent, vols. 1-3*. Published between 1777 and 1790, this monumental work by antiquarian Edward Hasted offers a detailed chronicle of's landscapes, architecture, antiquities, capturing the county's essence during the Georgian era. These selected illustrations, now housed in The Metropolitan Museum Art's Drawings and Prints department, a gift from Bonnie and Manuel Schonhorn 2014, preserving a slice of Britain's topographic tradition. Crafted by a talented ensemble of artists—including John Bayly, Richard Bernard Godfrey, Thomas Sandby, Thomas Milton, William Watts, Sir Roger Twisden, Eleanora Johnson, and Rev. Joseph Milner—the prints showcase the precision of etching and engraving. These techniques allowed for intricate reproductions of vistas, maps, and historical sites, blending artistry with documentary accuracy. Thomas Sandby, a pioneer in British topography, exemplifies the era's shift toward realistic landscape depiction, influenced by the rising interest in antiquarianism and the Picturesque movement. Measuring about 17 x 11 inches overall, these compact yet evocative sheets invite visitors to explore Kent's past, from medieval churches to rural estates. They remind us how printmaking democratized knowledge, making local history accessible to scholars and enthusiasts alike—a testament to collaborative creativity in the age of enlightenment.

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