Artheon MuseumArtheonMuseum

September- en oktoberdagen

September- en oktoberdagen by anonymous

Medium

striking (metalworking)

Dimensions

5.96; 2.3

Rights

Public Domain

About this artwork

Zilveren penning. Voorzijde: opschrift binnen lauwerkrans. Keerzijde: opschrift onder gekruiste olijf- en eikentak binnen omschrift

Art Historical Context

Step into the turbulent world of 1830 this delicate silver medal, titled *September- en oktoberdagen (September and October Days). Measuring just 2.3 cm in diameter and weighing a mere 5.96 grams, this crafted piece exemplifies the artistry of struck metalworking—a technique where intricate designs are hammered into thin silver blanks under high pressure, allowing for sharp details and mass production. The obverse features an inscription encircled by a laurel, a timeless symbol of victory and honor, while the reverse displays beneath crossed olive and oak branches within a bordered frame, evoking peace (olive) and resilience (oak). Minted in the heat of Belgium's Revolution against Dutch rule, this medal commemorates the pivotal "September and October Days"—fierce street battles in Brussels that solidified the push for independence. These months saw revolutionaries clash with loyalist forces, culminating in the London Conference that recognized Belgium as a sovereign nation in 1831. Such small, portable tokens were popular souvenirs, worn as badges of pride or kept as mementos of national awakening. Though anonymous, the medal's neoclassical motifs reflect the era's blend of revolutionary fervor and classical symbolism, making it a poignant numismatic gem. It invites us to ponder how even tiny objects can encapsulate a nation's birth.

About the Artist

anonymous

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

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