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Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 53)

Cornelis Bos

ca. 1545–60

Series of Cartouches, in: Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 53) by Cornelis Bos

Medium

Engraving

Dimensions

Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm) Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm) Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm)

Classification

Albums|Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Daniel Ergmann Gift, 2014

Accession Number

2014.99.54

Rights

Public Domain

Tags

CartouchesMen

Art Historical Context

Cornelis Bos, a prominent Dutch engraver active in Antwerp during the mid-16th century, this enchanting *Series of Cartouches* part of his album *Targhe ed ornati di varie eciose invenzioni (Cartouches and other of various and capricious), around 1545–60. This engraving, measuring about 8¼ × 10⅝ inches overall, showcases intricate decorative frames—known as cartouches—adorned with muscular male figures, fantastical motifs, and scrolling elements. Rendered in fine lines on a metal plate, the print exemplifies Renaissance ornamental design, blending Northern precision with Italian-inspired grotesques. Engraving was a revolutionary medium in the 1500s, allowing artists like Bos to reproduce elaborate patterns affordably for widespread use by architects, goldsmiths, and book illustrators. Bos, influenced by Mannerist trends and contemporaries like Cornelis Floris, filled his pages with "capricious inventions"—playful, imaginative motifs that fueled the era's decorative arts boom. These cartouches, often framing coats of arms or titles, reflect the Renaissance fascination with antiquity and human anatomy, turning functional ornament into high art. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department (acquired via the 2014 Daniel Ergmann Gift), this page invites us to appreciate how such prints democratized design, inspiring everything from furniture to facades across Europe. A delightful glimpse into 16th-century creativity!

About the Artist

Cornelis Bos · 15101556

Cornelis Bos (c. 1506/10–before 1555), a Netherlandish engraver, printseller, and publisher born in 's-Hertogenbosch, emerged as a pivotal figure in the Antwerp print trade during the mid-16th century. His early life remains sparsely documented, with no records of formal training or mentors, though he was active in Antwerp by 1537, producing his earliest known engraving, *Prudence and Justice*, af...

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