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Set of Sword Fittings (Mitokoromono)

Ginshōtei Tōmei

19th century

Set of Sword Fittings (Mitokoromono) by Ginshōtei Tōmei

Medium

Iron, gold, copper-silver alloy (shibuichi)

Dimensions

sword guard (tsuba) (17.208.32a) 2 5/8 x 2 3/8 in. (6.7 x 6.0 cm); cord knob (kurigata) (17.208.32b) 1 1/4 x 3/4 in. (3.2 x 1.9 cm); socket brace for knife (uragawara) (17.208.32c) 1 1/4 x 3/4 in. (3.2 x 1.9 cm); pommel cap (kashira) (17.208.32d) 1 3/8 x 3/4 in. (3.5 x 1.9 cm); hilt collar (fuchi) (17.208.32e) 1 1/2 x 3/4 in. (3.8 x 1.9 cm); knife handle (kozuka) (17.208.42) L. 3 3/4 in. (9.5 cm)

Classification

Sword Furniture-Fittings, Sets of

Culture

Japanese

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of a Trustee of the Museum, 1917

Accession Number

17.208.32a–e, .42

Rights

Public Domain

Art Historical Context

This exquisite set of sword fittings, known as *Mitokoromono*, was crafted by the skilled Japanese metalworker Ginshtei Tōmei in 19th century during Japan's late Edo period. Comprising a sword guard (*tsuba*), cord knob (*kurigata socket brace (*uragara*), pommel capkashira*), hilt (*fuchi*), and handle (*kozuka*), small yet intricate pieces (ranging from 1¼ to 2⅝ inches) were essential components for decorating and functionalizing samurai swords. Acquired by the Metropolitan Museum of Art in 1917 as a gift from a museum trustee, they exemplify the fusion of weaponry and artistry in feudal Japan. Forged primarily from iron, with inlays of shimmering gold and shibuichi—a copper-silver alloy prized for its subtle, smoky patina—these fittings showcase advanced metalworking techniques like damascening and nunome-zogan (gold inlay hammered into etched iron). Such methods allowed artisans like Tōmei to create textured surfaces and vibrant contrasts, transforming utilitarian objects into wearable sculptures that reflected the wearer's status. In samurai culture, sword fittings were symbols of prestige and personal taste, blending martial tradition with aesthetic refinement. Even as Japan edged toward modernization in the 19th century, these works preserved centuries-old craftsmanship, offering visitors a window into the elegant lethality of the warrior class.

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