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Spechio di pensieri delle belle et Virtudiose donne, page 5 (verso)

Spechio di pensieri delle belle et Virtudiose donne, page 5 (verso) by Matteo Pagano

Medium

Woodcut

Dimensions

Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm)

Classification

Books|Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1937

Accession Number

37.54(9)

Rights

Public Domain

Tags

Ornament

Art Historical Context

Welcome to the Metropolitan Museum of Art's Drawings and Prints department, where we encounter *Spechio di pensieri delle belle Virtudiose donne, 5 (verso)*, a delicate woodcut by Matteo Pagano from 1546. This page, measuring just 8 1/16 x 5 7/8 inches, hails from a Venetian Renaissance publication whose title translates to "Mirror Thoughts of Beautiful and Virt Women." Pagano, prominent printer and designer in mid-16th-century Venice crafted this as part of a book blending ornamentation with moralistic themes, celebrating feminine ideals through elegant designs. Woodcuts like this were revolutionary for their time, allowing intricate patterns to be reproduced affordably in books—a hallmark of Venice's printing boom. Classified under Ornament & Architecture, page 5 (verso) likely features decorative motifs inspired by classical architecture and scrolling foliage, reflecting the era's fascination with harmonious beauty and symmetry. These prints served as pattern books for artists, craftsmen, and readers alike, disseminating Renaissance aesthetics far beyond elite circles. Acquired through the Harris Brisbane Dick Fund in 1937, this work captures the cultural zeitgeist: a "mirror" not just for vanity, but for virtuous reflection amid Italy's artistic golden age. Pause here to appreciate how Pagano's precise carving turned humble wood into timeless elegance!

About the Artist

Matteo Pagano · 15151588

**Matteo Pagano (c. 1515–1588)** was a prominent Venetian printer, publisher, woodcut artist, and illustrator whose innovative designs bridged fine art and the decorative crafts during the Renaissance. Little is known about his early life, which remains sparsely documented, but he began his career as a woodblock cutter, working for the publisher Nicolò Zoppino on pattern books before establishing ...

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