Speculum Romanae Magnificentiae: Apolinis (Apolinis in uiridario Magni Ducis Etruriae)
16th century
Medium
Engraving
Dimensions
sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Harris Brisbane Dick Fund, 1941
Accession Number
41.72(2.166)
Rights
Public Domain
Tags
About this artwork
This engraving depicts a statue of Apollo in the gardens of the Grand Duke of Tuscany, part of the "Speculum Romanae Magnificentiae" series published in the 16th century. The print shows a classical sculpture rendered with attention to the figure's proportions, pose, and anatomical details. The statue represents Apollo, the Greek and Roman god of music, poetry, and the arts, captured in a contrapposto stance typical of classical sculpture. The engraving was created by Philippe Thomassin, a Frenc...
Art Historical Context
This engraving captures a statue of Apollo, the classical god of music and the arts, standing in the gardens of the Grand Duke of Tuscany. Created in the 16th century as part of the "Speculum Romanae Magnificentiae" series, the print documents ancient sculpture for a wide audience. Published by Antonio Lafreri and engraved by Philippe Thomassin, it reflects the Renaissance fascination with rediscovering and sharing the ideals of Greek and Roman art across Europe. The figure is shown in a graceful contrapposto pose, highlighting the anatomical precision and balanced proportions that defined classical sculpture. Such images allowed artists to study antique forms and helped collectors and travelers build visual records of Rome’s artistic heritage. The engraving technique excels at rendering fine details of the statue’s contours and stance, making the work both informative and visually engaging. These prints were often sold individually or compiled into custom albums, serving tourists, scholars, and artists alike. By preserving and circulating images of celebrated sculptures like this Apollo, the series played a key role in the period’s revival of ancient artistic principles.
About the Artist
Anonymous|Philippe Thomassin|Antonio Lafreri
In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...