Speculum Romanae Magnificentiae: Arch of Titus
Medium
Engraving and etching
Dimensions
sheet: 18 7/8 x 14 5/8 in. (48 x 37.2 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Harris Brisbane Dick Fund, 1941
Accession Number
41.72(1.76)
Rights
Public Domain
Tags
About this artwork
This engraving and etching depicts the Arch of Titus in Rome, created in 1558 as part of the "Speculum Romanae Magnificentiae" series published by Antonio Lafreri. The print shows the triumphal arch erected by Emperor Domitian around 81 AD to commemorate his brother Titus's victories, including the siege of Jerusalem. The architectural rendering captures the single-arched monument with its distinctive relief panels and dedicatory inscription. The work combines engraving and etching techniques to...
Art Historical Context
Step into ancient Rome through this exquisite 1558 engraving and etching from Antonio Lafreri's renowned *Speculum Romanae Magnificent* series. Crafted by an anonymous artist, the print meticulously captures the Arch of Titus, a triumphal monument erected by Emperor Domitian around AD to honor his brother Titus's victories, the siege of Jerusalem. Measuring 18 7/8 x 14 5/8 inches, it showcases the arch's single vaulted opening, intricate relief panels depicting spoils like the menorah, and its dedicatory inscription—details that have made this one of Rome's best-preserved ancient structures. Lafreri's series was a 16th-century bestseller, compiling over 500 prints of Roman antiquities for tourists, collectors, and artists eager to study classical wonders. This work blends engraving's sharp lines for architectural precision with etching's softer tones for atmospheric depth, embodying Renaissance techniques that balanced accuracy with artistry. As a cornerstone of visual documentation, the print fueled Europe's fascination with antiquity, inspiring architects and designers to revive Roman forms. Housed in the Metropolitan Museum of Art's Drawings and Prints department (Harris Brisbane Dick Fund, 1941), it invites us to marvel at how a single image bridged ancient glory and Renaissance revival.
About the Artist
Anonymous|Antonio Lafreri
In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...