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Ste. Prisque, vierge et martyre (St. Prisca, Virgin and Martyr), January 18th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Feast Days of the Year)

Ste. Prisque, vierge et martyre (St. Prisca, Virgin and Martyr), January 18th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Feast Days of the Year) by Jacques Callot|Israël Henriet

Medium

Etching; second state of two (Lieure)

Dimensions

Sheet: 2 1/2 x 1 15/16 in. (6.4 x 5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Joseph Pulitzer Bequest, 1917

Accession Number

17.50.17-371(22)

Rights

Public Domain

Tags

LionsWomenSaints

Art Historical Context

Behold *Ste. Prisque, vierge et martyre (St. Prisca, Virgin and Martyr), delicate etching from Jacques Callot's renowned series *Les Images De Tous Saincts et Saintes L'Année* (Images of All of the and Feast Days of the), published in 163. Created in collaboration with publisher Israël Henriet, this-state impression captures the essence of 17th-century Catholic devotion during the Counter-Reformation. Callot a master French Baroque etcher, specialized in intricate, narrative prints that brought religious stories to the faithful, often in compact formats ideal for prayer books or personal altars. Depicting St. Prisca, a young Roman virgin martyred around the 3rd century, the image likely shows her serene amid peril—traditionally with a lion, symbolizing divine protection as the beast refused to harm her. Measuring just 2½ x 1⅞ inches, its diminutive scale underscores the portability of these prints, allowing pilgrims and devotees to carry saints' tales close to heart. Tags of women, saints, and lions highlight themes of female sanctity and miraculous faith. Callot's etching technique shines here: fine lines and cross-hatching create depth and drama in a tiny space, a hallmark of his virtuosity. Acquired by The Metropolitan Museum of Art in 1917 via the Joseph Pulitzer Bequest, this work exemplifies how prints democratized art, making hagiographic icons accessible beyond grand cathedrals. A poignant reminder of resilience and piety in turbulent times.

About the Artist

Jacques Callot|Israël Henriet · 15921635

Jacques Callot (1592–1635) was a French printmaker and draftsman from the Duchy of Lorraine, widely regarded as one of the first great artists to practice the graphic arts exclusively. His more than 1,400 etchings chronicled the breadth of 17th-century life, from Medici court festivities to the brutal realities of warfare. Callot revolutionized etching through technical innovations including the é...

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