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"Steinbok", Folio from a Dispersed Nuzhatnama-i ‘A’a’i of Shahmardan ibn Abi’l Khayr

Shamardan ibn Abi 'l Khayr

late 15th–early 16th century

"Steinbok", Folio from a Dispersed Nuzhatnama-i ‘A’a’i of Shahmardan ibn Abi’l Khayr by Shamardan ibn Abi 'l Khayr

Medium

Ink, opaque watercolor, and gold on paper

Dimensions

H. 9 13/16 in. (24.9 cm) W. 6 5/16 in. (16 cm)

Classification

Codices

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Richard Ettinghausen, 1975

Accession Number

1975.192.11

Rights

Public Domain

Tags

AnimalsFlowersLeaves

Art Historical Context

Behold the graceful "Steinbok," a captivating folio from the dispersed *Nuzhatnama-i ‘Ala*, an illustrated Persian encyclopedia compiled by Shahmardan ibn’l Khayr in the late 15th to early 16th century. This Timurid-era masterpiece hails from the vibrant artistic hub of Herat, where Shahmardan, a master illustrator, blended scientific observation with poetic beauty. Part of a larger codex exploring the wonders of the natural world, it showcases a sleek steinbok—an African antelope—poised amid blooming flowers and lush leaves, evoking the harmony of creation in Islamic cosmology. Crafted with ink, opaque watercolor, and shimmering gold on paper (measuring 9 13/16 x 6 5/16 inches), the artwork exemplifies Persian miniature techniques. Delicate lines define the animal's lithe form and spiraling horns, while vibrant hues and gold accents bring the flora to life, creating a jewel-like glow. These codices were prized treasures, often commissioned for royal libraries, merging empirical study with artistic splendor. Today, housed in the Metropolitan Museum of Art's Islamic Art Department (gift of Richard Ettinghausen, 1975), this folio highlights the cultural renaissance of the Timurid period, where art illuminated knowledge and nature's divine order for scholars and sultans alike. A window into a world where every leaf tells a story.

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