Artheon MuseumArtheonMuseum

Sword Guard (Tsuba)

Unknown Artist

ca. 1615–1868

Sword Guard (Tsuba) by Unknown Artist

Medium

Copper alloy (sentoku), copper-silver alloy (shibuichi), copper-gold alloy (shakudō), silver, gold, copper

Dimensions

H. 3 1/2 in. (8.9 cm); W. 2 7/8 in. (7.3 cm); thickness 1/2 in. (1.3 cm); Wt. 7 oz. (198.4 g)

Classification

Sword Furniture-Tsuba

Culture

Japanese

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

29.100.981

Rights

Public Domain

Tags

ShellsOctopus

Art Historical Context

This exquisite *Sword Guard (Tsub)*, crafted in Japan during the Edo period (ca. 1615–1868), the artistry of samurai sword fittings. As the hand guard on a katana or wakizashi, the tsuba served both a practical purpose—protecting the hand during combat—and an aesthetic one, transforming weapons into wearable sculptures. Produced amid a time of relative peace under the Tokugawa shogunate, tsuba evolved from simple iron guards into elaborate masterpieces, often featuring motifs from nature that reflected Zen-inspired appreciation for the natural world. Masterfully fashioned from a luxurious mix of alloys—sentoku (a golden copper alloy), shibuichi (silvery patina), shakudō (dark alloy), silver, gold, and copper—the tsuba showcases advanced metalworking techniques like inlay (zōgan) and patination. Its openwork design depicts dynamic sea creatures: an octopus entwined with shells, evoking the fluidity and mystery of Japan's coastal life. Measuring 3½ inches high, this hefty 7-ounce piece highlights the smith's skill in balancing form, weight, and intricate detailing. Housed in the Metropolitan Museum of Art's Arms and Armor Department from the renowned H.O. Havemeyer Collection, this unsigned tsuba underscores the anonymous yet virtuoso craftsmanship of Edo-era artisans. It invites visitors to ponder how even tools of war became emblems of poetic beauty in Japanese culture.

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