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' 't Huis ter Nood', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld

' 't Huis ter Nood', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld by Carel Allard

Medium

Color engraving (à la poupée)

Dimensions

Plate: 4 1/2 × 6 5/8 in. (11.4 × 16.9 cm)

Classification

Books|Ornament & Architecture|Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1937

Accession Number

37.48(24)

Rights

Public Domain

Tags

Houses

Art Historical Context

Step into the elegant world of 17th-century Dutch country estates with Carel Allard's color engraving *'t Huis ter Nood*, a charming plate from the publication *Tooneel Dernaamste Nederlands Huizen En Lust Hoven,ar T Leven Afgebeeld*—or "Theater of the Most Prominent Dutch and Pleasure Gardens, Dep from Life." This petite print (just 4½ × 6⅝ inches) captures the idyllic *Huis ter Nood*, showcasing its stately architecture nestled among lush trees, evoking the prosperity and refined tastes of the Dutch Golden Age. Such topographical views celebrated the grandeur of elite country homes and manicured gardens, serving as both visual souvenirs and inspirations for architecture enthusiasts. Allard's mastery shines in the innovative *à la poupée* color engraving technique, where vibrant hues were meticulously applied to the plate using fabric-wrapped "dolls" before a single printing pass. This labor-intensive method produced rich, multi-toned images with subtle depth, rare for its time and a precursor to modern color printing. Housed in The Metropolitan Museum of Art's Drawings and Prints department (acquired via the Harris Brisbane Dick Fund in 1937), it exemplifies the era's fusion of artistry and documentation, blending ornamental detail with lifelike precision to immortalize Netherlands' architectural heritage. A delightful window into a bygone era of leisure and landscape!

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