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Terracotta fragment of a kylix (drinking cup)

Brygos Painter

490–470 BCE

Terracotta fragment of a kylix (drinking cup) by Brygos Painter

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Late Archaic/Early Classical

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.6707

Rights

Public Domain

Art Historical Context

This exquisite terracotta fragment from a kylix, or shallow drinking cup, hails from Attic Greece during the Late Archaic to Early Classical period (490–470 BCE). Attributed to the masterful Brygos Painter, one of the era's premier red-figure vase painters, it exemplifies the pinnacle of Athenian pottery craftsmanship. The Brygos Painter was renowned for his dynamic compositions, lively figures, and meticulous attention to anatomy and movement, often adorning kylikes with scenes from mythology, daily life, or symposia—isterous banquets central to Greek social culture. As a kylix fragment, this piece would have been part of a vessel used in those very symposia, where elite men reclined, drank wine diluted with water, and engaged in philosophical discourse or revelry. The red-figure technique, a hallmark of this transitional period, allowed painters to reserve the natural clay color for figures while incising details in black slip, creating striking contrast and depth. This innovation marked a shift from earlier black-figure styles, paving the way for the more naturalistic art of the Classical age. Gifted to the Metropolitan Museum of Art in 2011 by Dietrich von Bothmer, this fragment offers a tantalizing glimpse into ancient Athenian artistry. Though incomplete, it whispers of the vibrancy and sophistication of a civilization that shaped Western culture. (198 words)

About the Artist

Brygos Painter

The Brygos Painter is one of the most gifted and prolific red-figure vase painters of ancient Athens, active in the early fifth century BCE during one of the most dynamic periods of Greek artistic development. Like most ancient Greek vase painters, he is known to us not by his personal name but by a conventional scholarly designation — in this case derived from the potter Brygos, whose name appear...

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