Artheon MuseumArtheonMuseum

Terracotta fragment of a kylix (drinking cup)

Makron

500–480 BCE

Terracotta fragment of a kylix (drinking cup) by Makron

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.7215

Rights

Public Domain

Art Historical Context

This exquisite terracotta fragment from a kylix, or shallow drinking cup, comes from the workshop of Makron, one of the most prolific and skilled Attic vase painters of late Archaic Greece (500–480 BCE). Makron, active in Athens during a pivotal era bridging the Archaic and Classical periods, in the red-figure technique—a revolutionary method where artists painted outlines on fired black-gloss clay, leaving figures in the natural red terracotta hue for intricate details added with fine lines and dilute slip. Kylikes like this were essential to ancient Greek symposia, elite male drinking parties that fostered philosophy, poetry, and social bonds. The fragment's survival offers a glimpse into everyday luxury and artistic mastery, showcasing Makron's dynamic compositions often featuring mythological scenes, athletes, or revelers. Terracotta's durability made it ideal for such vessels, fired in kilns to withstand centuries. Generously gifted to the Metropolitan Museum of Art in 2011 by Dietrich von Bothmer, this piece underscores the enduring allure of Attic pottery, a cornerstone of Greek cultural identity celebrated for its technical innovation and narrative depth.

About the Artist

Makron

Makron stands as one of the most prolific masters of Attic red-figure vase painting, active in Athens around 490–480 BC during the late Archaic to early Classical transition.) Little is known of his early life or formal training, as such details remain undocumented for many ancient potters and painters of this era. Exclusively employing the red-figure technique—which allowed for intricate detailin...

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