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Terracotta fragment of a kylix (drinking cup)

Makron

500–480 BCE

Terracotta fragment of a kylix (drinking cup) by Makron

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.7270

Rights

Public Domain

Art Historical Context

Step into the vibrant world of ancient Athens with this terracotta fragment from a kylix, a shallow drinking cup favored at symposia—lively social gatherings where elite men reclined, drank wine, and debated philosophy. Crafted by Makron, one of the most prolific Attic vase painters of the late Archaic period500–480 BCE), this exemplifies the red-figure technique he mastered. In this innovative method, figures were outlined in black slip on a fired orange clay ground, then details incised and background painted black, allowing the natural terracotta to "shine" through for lifelike skin tones and dynamic poses. Makron, often collaborating with potter Hieron, produced thousands of vases showcasing mythological scenes, athletes, and revelers, bridging Archaic stiffness with the fluid naturalism of emerging Classical art. Though just a fragment, it hints at the exquisite black-line detailing and composition that made Attic pottery a coveted export across the Mediterranean, symbolizing Greek cultural prestige. Donated to the Metropolitan Museum of Art in 2011 by the esteemed Dietrich von Bothmer, this relic offers a tangible glimpse into daily rituals and artistic innovation from democratic Athens' golden age.

About the Artist

Makron

Makron stands as one of the most prolific masters of Attic red-figure vase painting, active in Athens around 490–480 BC during the late Archaic to early Classical transition.) Little is known of his early life or formal training, as such details remain undocumented for many ancient potters and painters of this era. Exclusively employing the red-figure technique—which allowed for intricate detailin...

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