Artheon MuseumArtheonMuseum

Terracotta fragment of a kylix (drinking cup)

Makron

500–480 BCE

Terracotta fragment of a kylix (drinking cup) by Makron

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.7359

Rights

Public Domain

Art Historical Context

This delicate terracotta fragment from a kylix, or shallow drinking cup, crafted the masterful Attic vase-painter Makron around 500–480 BCE, offers a tantalizing glimpse into late Archaic Greek artistry. Now part of the Metropolitan Museum of’s Greek and Roman Art collection—graciously gifted by Dietrich von Bothmer, the department’s esteemed research curator—this piece exemplifies the pinnacle of Athenian pottery production. Kylikes like this were essential to the symposion, intimate male gatherings where wine, conversation, poetry, and philosophy mingled in elite Athenian society. Makron, one of the era’s most prolific artists, specialized in red-figure painting, a revolutionary technique that left figures in the clay’s natural red tone while detailing them with fine black lines and added accents. This innovation allowed for greater anatomical precision and expressive narratives, often depicting myths, athletes, or daily life. Though only a fragment endures, it bridges the rigid Archaic style and the fluid grace of the emerging Classical period, underscoring terracotta’s role as a democratic canvas for storytelling in ancient Greece. A true treasure for contemplating the vibrancy of antiquity!

About the Artist

Makron

Makron stands as one of the most prolific masters of Attic red-figure vase painting, active in Athens around 490–480 BC during the late Archaic to early Classical transition.) Little is known of his early life or formal training, as such details remain undocumented for many ancient potters and painters of this era. Exclusively employing the red-figure technique—which allowed for intricate detailin...

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