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Terracotta fragments of a kylix (drinking cup)

Makron

500–480 BCE

Terracotta fragments of a kylix (drinking cup) by Makron

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.7350a, b

Rights

Public Domain

Art Historical Context

These terracotta fragments from a kylix, or shallow drinking cup, were crafted by the renowned Att vase-painter Makron around –480 BCE, during the late Archaic period of ancient. Makron, one of the most prolific artists of his time, specialized in the red-figure technique—a revolutionary method where figures were outlined in black slip, leaving the background fired red to highlight painted details in natural clay tones. This innovation allowed for greater anatomical precision and narrative complexity compared to earlier black-figure styles, marking a pivotal shift toward the Classical era's realism. Kylixes like this were essential to the Greek symposion, elite male drinking parties where cups circulated amid conversation, poetry, and revelry. Though fragmented, these pieces likely once depicted dynamic scenes of mythology, daily life, or athletic pursuits, hallmarks of Makron's vibrant, elegant style. Attic pottery from this period was not just functional but a canvas for storytelling, exported widely across the Mediterranean, influencing cultures from Etruria to Persia. Generously gifted to the Metropolitan Museum of Art in 2011 by Dietrich von Bothmer, these shards offer a tantalizing glimpse into Athens' golden age of ceramics, where artistry met everyday ritual in fired clay.

About the Artist

Makron

Makron stands as one of the most prolific masters of Attic red-figure vase painting, active in Athens around 490–480 BC during the late Archaic to early Classical transition.) Little is known of his early life or formal training, as such details remain undocumented for many ancient potters and painters of this era. Exclusively employing the red-figure technique—which allowed for intricate detailin...

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