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Terracotta rim fragment of a kylix (drinking cup)

Makron

490–480 BCE

Terracotta rim fragment of a kylix (drinking cup) by Makron

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Late Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.463

Rights

Public Domain

Art Historical Context

This delicate terracotta rim fragment from kylix, or shallow drinking cup, dates to 490–480 BCE and the hand of Makron, one of the most prolific painters of Attic red-figure vases during the Late Archaic period Crafted in ancient Athens, kylikes like this were essential for symposia—lively social gatherings where elite men reclined, drank diluted wine, and engaged in discourse, poetry, and entertainment. Though only a fragment survives, it offers a glimpse into the refined world of Greek pottery, where form met function in elegant, low-profile vessels designed for easy handling. Makron's mastery shines in the red-figure technique, a revolutionary method where black slip was applied to the clay, then incised away to reveal the natural red-orange terracotta for figures and details. This allowed for intricate shading, anatomy, and expressions far surpassing earlier black-figure styles, marking the transition from Archaic stiffness to the fluid naturalism of the Classical era. Attic vases were not just utilitarian; they were exportable artworks, spreading Greek culture across the Mediterranean. A generous gift to the Metropolitan Museum of Art from Dietrich von Bothmer in 2011, this piece underscores the enduring allure of Greek ceramics—testaments to artistry, daily life, and the sympotic rituals that shaped Western social traditions.

About the Artist

Makron

Makron stands as one of the most prolific masters of Attic red-figure vase painting, active in Athens around 490–480 BC during the late Archaic to early Classical transition.) Little is known of his early life or formal training, as such details remain undocumented for many ancient potters and painters of this era. Exclusively employing the red-figure technique—which allowed for intricate detailin...

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