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Terracotta rim fragment of a kylix (drinking cup)

Makron

500–480 BCE

Terracotta rim fragment of a kylix (drinking cup) by Makron

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.7152

Rights

Public Domain

Art Historical Context

This delicate terracotta rim fragment from kylix, or shallow drinking cup, dates to 500–480 BCE and comes from the skilled hands of Makron, one of the most prolific Attic red-figure vase of late Archaic Greece. Makron, active in Athens during a pivotal transition from the Archaic to Classical periods, specialized in elegant scenes of daily life, mythology, and symposialively banquets where such kylikes played a starring role. Though only a fragment survives, it hints at the refined craftsmanship of Attic pottery workshops, where terracotta vessels were fired, then decorated with glossy black slip and reserved red figures for striking contrast. Kylixes like this were essential to Greek social rituals, passed hand-to-hand at all-male drinking parties to foster conversation and camaraderie. The red-figure technique Makron mastered allowed for intricate details in anatomy, drapery, and motion, revolutionizing vase painting after the earlier black-figure style. This piece, a gift to the Metropolitan Museum of Art from Distinguished Research Curator Dietrich von Bothmer in 2011, exemplifies the enduring allure of Attic ceramics—functional art that captured the vibrancy of ancient Athenian culture for modern eyes.

About the Artist

Makron

Makron stands as one of the most prolific masters of Attic red-figure vase painting, active in Athens around 490–480 BC during the late Archaic to early Classical transition.) Little is known of his early life or formal training, as such details remain undocumented for many ancient potters and painters of this era. Exclusively employing the red-figure technique—which allowed for intricate detailin...

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