Artheon MuseumArtheonMuseum

Terracotta rim fragments of a kylix (drinking cup)

Makron

500–480 BCE

Terracotta rim fragments of a kylix (drinking cup) by Makron

Medium

Terracotta

Classification

Vases

Culture & Period

Greek, Attic · Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dietrich von Bothmer, Distinguished Research Curator, Greek and Roman Art, 2011

Accession Number

2011.604.1.7161a, b

Rights

Public Domain

Art Historical Context

Welcome to the Greek and Roman Art galleries at the Metropolitan Museum of Art where these delicate terracotta rim fragments from kylix—a shallow drinking cup—offer a glimpse into ancient Athenian life. Attributed to the renowned vase-painter Makron, active around 500–480 BCE the late Archaic period this piece hails from Attic Greece, a hub of artistic innovation. Makron, one of the most prolific red painters of his time, specialized in elegant scenes on sympotic vessels like kylikes, which were essential for the all-male drinking parties (symposia) where philosophy, poetry, and politics flowed freely. Crafted in terracotta, the medium typical of Greek pottery, these fragments showcase the red-figure technique Makron mastered: figures painted in the glossy black slip left the natural clay "red" for skin tones and details added with fine lines and dilute wash. Though incomplete, they exemplify the period's shift from black-figure to red-figure, allowing greater anatomical precision and narrative depth. Donated in 2011 by Dietrich von Bothmer, a legendary curator, this artifact underscores Makron's influence on Classical Greek art, bridging Archaic exuberance and the poised humanism to come. Imagine sipping wine from such a cup amid lively banter— these shards preserve that vibrant world for us today!

About the Artist

Makron

Makron stands as one of the most prolific masters of Attic red-figure vase painting, active in Athens around 490–480 BC during the late Archaic to early Classical transition.) Little is known of his early life or formal training, as such details remain undocumented for many ancient potters and painters of this era. Exclusively employing the red-figure technique—which allowed for intricate detailin...

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