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The actor and a street urchin, from 'Dramatic sketches,' published in Le Charivari, April 18, 1864

The actor and a street urchin, from 'Dramatic sketches,' published in Le Charivari, April 18, 1864 by Aaron Martinet|Destouches|Honoré Daumier

Medium

Lithograph; second state of two (Deltiel)

Dimensions

Image: 9 9/16 × 8 13/16 in. (24.3 × 22.4 cm) Sheet: 11 7/16 × 10 13/16 in. (29.1 × 27.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Harry G. Friedman, 1953

Accession Number

53.650.2

Rights

Public Domain

Tags

SatireTheatreSpectatorsActors

Art Historical Context

In the bustling world of 19th-century Paris, Honoré Daumier captured the vibrant theater scene with sharp wit in this lithograph, *The Actor and a Street Urchin*, published in *Le Charivari* on April 18, 1864, as part of his *Dramatic Sketches* series. Daumier, a master caricaturist and leading figure in French satire, often skewered social hierarchies through exaggerated figures and expressive lines. Here, the encounter between a flamboyant actor and a ragged street urchin highlights the contrasts between stage glamour and urban poverty, poking fun at spectators, performers, and the blurred lines between artifice and reality. Printed as a lithograph—the second state of two, per Delteil—this work exemplifies the medium's revolutionary potential for mass dissemination. Daumier's fluid, economical drawing style, drawn directly on stone, allowed for rich tonal effects and dynamic compositions in newspapers like *Le Charivari*, which championed political and cultural commentary under Napoleon III's Second Empire. Measuring about 9½ by 8⅞ inches, it invited everyday readers to reflect on theater's role in society. A gift to the Metropolitan Museum of Art from Harry G. Friedman in 1953, this print endures as a testament to Daumier's enduring influence on graphic satire, blending humor with incisive social observation for audiences then and now.

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