The Actor Segawa Kichiji as a Daimyo's Young Son, and Sanogawa Ichimatsu as a Samurai Attendant

Art Historical Context

In the vibrant world of 18th-century Japan, Ishikawa Toyonobu's woodblock print *The Actor Segawa Kichiji as a Daimyo's Young Son, and Sanawa Ichimatsu as a Samurai Attendant* (ca. 1750) captures the theatrical flair of Kabuki drama. This ukiyo-e masterpiece from the Edo period (1615–1868) depicts two celebrated onnagata actors—Segawa Kichiji in the role of a noble daimyo's son, dressed in luxurious robes, and Sanogawa Ichimatsu as his loyal samurai attendant. Toyonobu, a skilled pupil of the ukiyo-e pioneer Nishimura Shigenaga, masterfully rendered their expressive poses and elaborate costumes using ink and color on paper, measuring about 17 x 12 inches. Woodblock printing was revolutionary for its ability to produce affordable, colorful images that democratized art during the prosperous Edo era. These yakusha-e (actor prints) were avidly collected by urbanites in Edo (modern Tokyo), fueling a craze for Kabuki stars who blurred lines between stage and society. Toyonobu's precise lines and bold pigmentation highlight the actors' dynamic gestures, evoking the energy of live performances where men played all roles, including female ones like the youthful son. Housed in the Metropolitan Museum of Art's Asian Art Department, this print from The Francis Lathrop Collection exemplifies how ukiyo-e bridged entertainment and fine art, offering a window into Japan's playful yet hierarchical culture. Visitors today can appreciate its enduring charm, a snapshot of fame and fantasy from 275 years ago.

About the Artist

Ishikawa Toyonobu · 1711–1785

Japanese, 1711–1785