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The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon)

Tōshūsai Sharaku

1794 (Kansei 6)

The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon) by Tōshūsai Sharaku

Medium

Color woodblock print; hosoban, nishiki-e

Dimensions

31.7 × 15 cm (12 1/2 × 5 15/16 in.)

Classification

woodblock print

Department

Arts of Asia

Museum

Art Institute of Chicago

Accession Number

87275

Rights

Public Domain

Art Historical Context

Step into the vibrant world of 18th-century Japanese kab theater with Tōshūsai Sharaku's *The Actor Yamashina Shirojuro as Nagoya Sanzaemon* (1794). This woodblock print captures the onnagata (female role specialist) Yamashina Shirojuro in the fierce role of Nagoya Sanzaemon from the play *Soga no Taimen*. Produced during the Kansei era of the Edo period, it exemplifies ukiyo-e, the "pictures of the floating world" that celebrated fleeting pleasures like theater and celebrity. Sharaku, a enigmatic artist active for just 18 months, revolutionized actor portraits with his bold, unflinching style. Gone were the idealized beauties of earlier prints; instead, he rendered faces with exaggerated features, piercing gazes, and raw emotional intensity, revealing the actor's inner psyche. Printed in the luxurious nishiki-e (brocade picture) technique—using multiple woodblocks for vibrant colors and fine details—this hosoban format (narrow, vertical sheet, 31.7 × 15 cm) made it an affordable luxury for fans to collect and display. Housed in the Art Institute of Chicago's Arts of Asia department, this print highlights kabuki's cultural dominance, where stars like Shirojuro were idolized. Sharaku's ~150 surviving works remain prized for their psychological depth, bridging art and performance in Japan's golden age of woodblock printing.

About the Artist

Tōshūsai Sharaku · 17941795

Tōshūsai Sharaku stands as one of the most enigmatic figures in Japanese art history, a ukiyo-e printmaker whose brilliant career blazed for just ten months from the summer of 1794 to early spring 1795. Active exclusively in Edo (modern Tokyo), he produced approximately 150 woodblock prints and sketches, primarily yakusha-e—intimate portraits of kabuki actors captured mid-performance. Published by...

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