The Adoration of the Angels
17th century
Medium
Etching; second state of three (Bartsch)
Dimensions
sheet: 6 7/8 x 5 1/16 in. (17.5 x 12.8 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Harris Brisbane Dick Fund, 1926
Accession Number
26.70.3(62)
Tags
Art Historical Context
Carlo Maratti, a leading figure of the Roman Baroque, created this intimate etching in seventeenth century. Working in a refined classical style influenced by Raphael and the Carracci, Maratti specialized in graceful religious subjects that balanced emotional warmth with compositional clarity. The small print, measuring just under seven by inches, captures the tender moment of the Madonna and Child surrounded by adoring angels a theme that resonated deeply with Counter-Reformation audiences seeking devotional images. As an etching in its second state of three, the work demonstrates the artist...
About the Artist
Carlo Maratti · 1625–1713
Son of a Dalmatian father. Known as the last major Italian artist of the classical tradition, which had originated with Raphael. He created a grandiose and decorative style that was valued by his ecclesiastical patrons. Comment on works: History; Religious.