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"The Beggar who Professed his Love for a Prince", Folio 28r from a Mantiq al-Tayr (Language of the Birds)

Farid al-Din `Attar

dated A.H. 892/ 1487 CE

"The Beggar who Professed his Love for a Prince", Folio 28r from a Mantiq al-Tayr (Language of the Birds) by Farid al-Din `Attar

Medium

Ink, opaque watercolor, silver, and gold on paper

Dimensions

Painting: H. 8 3/8 in. (21.3 cm) W. 4 1/2 in. (11.4 cm) Page: H. 13 1/16 in. (33.2 cm) W. 8 7/16 in. (21.4 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)

Classification

Codices

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Fletcher Fund, 1963

Accession Number

63.210.28

Rights

Public Domain

Tags

PrincesMen

Art Historical Context

Step into the luminous world of Persian miniature painting with Folio 28r from the *Mantiq al-Tayr* (Language the Birds), a celebrated Sufi allegorical poem by the 12th-century mystic Farid al-Din `Attar. Dated to A.H. 892 (1487 CE), thisex page captures "The Beggar who Profess his Love for a Prince one of the poetic tales illustrating profound spiritual themes of devotion, humility, and divine. Produced in the late Timurid or early Safavid era, it exemplifies the exquisite manuscript tradition of Islamic art, where text and image intertwine to convey moral and mystical lessons. Rendered in ink, opaque watercolor, silver, and gold on paper, the artwork showcases the meticulous techniques of Persian illuminators. Vibrant colors and metallic accents create a jewel-like glow, with intricate borders framing the narrative scene of princes and men—likely the beggar humbly declaring his affection before a royal figure. The compact dimensions (painting: 8 3/8 x 4 1/2 in.) highlight the intimacy of these folios, designed for contemplation rather than grand display. Housed in the Metropolitan Museum of Art's Islamic Art Department (Fletcher Fund, 1963), this folio underscores the cultural pinnacle of 15th-century book arts in Iran, blending literature and visual storytelling to inspire seekers on the Sufi path. A testament to `Attar's enduring influence, it invites visitors to ponder the transcendence of earthly love.

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