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The Cliffs, Foilhummerum Bay, Valentia, the Point at Which the Shore-end of the Cable was Landed on July 22nd, 1865

The Cliffs, Foilhummerum Bay, Valentia, the Point at Which the Shore-end of the Cable was Landed on July 22nd, 1865 by Robert Charles Dudley

Medium

Watercolor over graphite with touches of gouache (bodycolor)

Dimensions

Sheet: 6 7/16 × 9 5/16 in. (16.4 × 23.6 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Cyrus W. Field, 1892

Accession Number

92.10.60

Rights

Public Domain

Tags

Transatlantic CableIndustryHillsBoats

Art Historical Context

In the rugged cliffs of Foilhummer Bay on Valentia Island, Ireland, Charles Dudley captured a monumental moment in 1865: the landing of the shore-end of transatlantic telegraph cable on 22. This watercolor depicts the precise point where crews from the steamship *Great Eastern*—the largest vessel of its time—began connecting Europe and North America via instantaneous communication. The scene buzzes with industry, featuring boats bobbing amid dramatic hills and sheer rock faces, symbolizing humanity's bold push into the technological frontier during the Industrial Revolution. Dudley, an artist who chronicled the cable expeditions, employed watercolor over graphite with subtle gouache highlights, a portable medium ideal for on-site sketching. This technique lent luminous depth to the coastal landscape, balancing meticulous graphite underdrawing with fluid washes that evoke the sea's restless energy and the cliffs' imposing scale (6 7/16 × 9 5/16 in.). A gift to the Metropolitan Museum of Art from Cyrus W. Field—the visionary financier behind the project—this drawing preserves the grit and triumph of an era when undersea cables shrank the world, paving the way for modern global connectivity. Visitors, imagine the cheers echoing off these cliffs as history wired itself together!

About the Artist

Robert Charles Dudley · 18131913

British, 1826–1909

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