The Convent of Neuberg from Schlierbach
1829
Medium
lithograph on chine collé
Dimensions
image: 14 x 19.5 cm (5 1/2 x 7 11/16 in.) sheet: 22.6 x 30.2 cm (8 7/8 x 11 7/8 in.)
Classification
Department
CG-E
Museum
National Gallery of Art, Washington, D.C.
Credit
Ailsa Mellon Bruce Fund
Accession Number
1998.6.5
Rights
Public Domain
Art Historical Context
Ernst Fries, a German Romantic artist (1801–1833), captures the serene beauty of the Convent of Neuberg as viewed from Schlierbach in this 1829 lithograph. Nestled in the Austrian Alps, the convent—a historic Cistercian abbey founded in the 14th century—exemplifies the Romantic fascination with medieval architecture, rugged landscapes, and spiritual retreats. Fries, who traveled extensively through Germany and Austria sketching such sites, renders the scene with meticulous detail, evoking a sense of timeless tranquility amid misty hills and ancient stone. Printed on chine collé—a technique where delicate Chinese paper is adhered to a sturdy support—this lithograph highlights Fries's mastery of lithography, a revolutionary 19th-century process that allowed artists to translate fluid drawings directly onto stone for reproduction. The modest image size (14 x 19.5 cm) invites intimate contemplation, preserving the subtlety of his pencil-like lines and tonal gradations. Acquired through the Ailsa Mellon Bruce Fund at the National Gallery of Art, this print reflects the era's growing appreciation for affordable, high-quality graphic art that brought grand European vistas to wider audiences. Though Fries's life was tragically short, his works bridge Neoclassicism and early Realism, offering visitors a window into Romanticism's reverence for nature's sublime harmony.