The death of Ananias, surrounded by Apostles

Art Historical Context

In the heart of the Renaissance, *The Death of Ananias, Surrounded by Apostles* (1518) captures a pivotal biblical moment from the Acts of the Apostles. Here, Ananias falls dead before Saint Peter and the Apostles after lying about his offering to the early Christian community—a dramatic tale of divine judgment and moral reckoning. Italian printmaker Ugo da Car crafted this work after a design by the High Renaissance master Raphael (Rello Sanzio), blending Raphael's elegant figures and dynamic compositions with innovative print techniques. This chiaroscuro woodcut, printed from three blocks in shades of brown, exemplifies a revolutionary method da Carpi helped perfect around 1515–1520. By using separate blocks for light, mid-tones, and shadows, it mimics the tonal modeling of oil paintings, creating a sculptural depth and luminosity rare in early prints. Measuring 9 3/4 × 14 7/8 inches, its intimate scale invites close viewing, highlighting the Apostles' expressive gestures and Ananias's contorted form amid gathering darkness. Acquired by The Metropolitan Museum of Art via the Rogers Fund in 1922, this print underscores the era's fusion of artistry and devotion, bridging painting and printmaking while disseminating Raphael's genius to wider audiences. A testament to Renaissance ingenuity, it draws visitors into the tension of faith and consequence.

About the Artist

Ugo da Carpi|Raphael (Raffaello Sanzio or Santi) · 1480–1535

Comment on works: Painter; Woodcutter