The Dragon Devouring the Companions of Cadmus
Medium
Engraving of black in on Ivory laid paper
Dimensions
Image: 24 × 31.7 cm (9 1/2 × 12 1/2 in.); Plate: 25.1 × 32.1 cm (9 15/16 × 12 11/16 in.); Sheet: 30.2 × 37.3 cm (11 15/16 × 14 11/16 in.)
Classification
engraving
Department
Prints and Drawings
Museum
Art Institute of Chicago
Accession Number
102164
Rights
Public Domain
Art Historical Context
In Hendrick Goltzius's *The Dragon Devouring the Companions of Cadmus* (1588), the Dutch master's engraving vividly captures a dramatic moment from Greek mythology. Cadmus, the legendary founder of Thebes, sent his companions to fetch water from a sacred spring guarded by a fearsome dragon, which devoured them in this chaotic scene. Goltzius, a leading figure in late 16th-century Northern Mannerism, drew from classical sources to evoke the heroism and peril of ancient tales, blending Italian influences with his native precision. Rendered in black ink on luxurious ivory laid paper, this engraving measures about 24 × 31.7 cm and showcases Goltzius's revolutionary technique: bold, swelling lines that mimic the fluidity of brushstrokes, creating depth, texture, and movement rivaling painting. As one of the era's most innovative printmakers, he elevated engraving from mere reproduction to an independent art form, influencing generations during the Dutch Golden Age's rise. Housed in the Art Institute of Chicago's Prints and Drawings department, this work highlights the Renaissance revival of antiquity and the power of prints to democratize grand narratives, making mythological drama accessible to collectors across Europe. A testament to Goltzius's virtuosity, it invites viewers to marvel at the dragon's ferocity and the figures' doomed struggle.
About the Artist
Hendrick Goltzius · 1558–1617
Hendrick Goltzius (1558–1617) was the most celebrated engraver of the Northern Renaissance and a pivotal figure in Dutch Mannerism. Born near the German-Dutch border, Goltzius transformed printmaking into a virtuoso art form through his revolutionary 'swelling line' technique, where the burin was manipulated to create lines of varying thickness that produced unprecedented tonal effects and three-d...