The Female Gambler's Prayer!!
Medium
Hand-colored etching
Dimensions
Sheet: 17 7/16 × 11 11/16 in. (44.3 × 29.7 cm) Plate: 7 11/16 × 11 9/16 in. (19.6 × 29.4 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
Accession Number
59.533.816
Rights
Public Domain
Tags
Art Historical Context
In the lively world of early 19th-century British satire, *The Female Gambler's Prayer!! (1801) stands out as a hand-colored etching by Thomas Rowland, with contributions from George Murgatro Woodward and Edward Spragg Rowlandson, a master caricaturist renowned for his exaggerated, humorous depictions of Regency society, captures a moment of ironic desperation. Produced as a print, this work measures about 17 by 11 inches on the sheet, its vibrant hand-coloring—a popular technique at the time—bringing the scene to vivid life and making it a sought-after collector's item. The title alone hints at its satirical bite: a female gambler, perhaps mid-loss, offers a fervent "prayer" amid the trappings of her vice, with chairs and feminine details underscoring the domestic yet scandalous setting. Gambling fever gripped Georgian and Regency England, from high-society salons to seedy dens, and prints like this critiqued moral excesses, especially among women whose participation challenged social norms. Tags like "Women" and "Chairs" evoke an intimate, cluttered gaming table, amplifying Rowlandson's knack for blending comedy with social commentary. Housed in the Metropolitan Museum of Art's Drawings and Prints department through the Elisha Whittelsey Collection, this etching exemplifies the era's booming print culture, where affordable colored satires shaped public opinion and entertained the masses. A delightful glimpse into 1801's wit and worries!
About the Artist
Thomas Rowlandson|George Murgatroyd Woodward|Edward Spragg · 1756–1827
Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...