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五代 雷延美 木刻大慈大悲救苦觀世音菩薩圖|The Greatly Merciful, Greatly Compassionate Rescuer from Suffering, Bodhisattva Guanyin

Lei Yanmei

dated 947

五代 雷延美 木刻大慈大悲救苦觀世音菩薩圖|The Greatly Merciful, Greatly Compassionate Rescuer from Suffering, Bodhisattva Guanyin by Lei Yanmei

Medium

Woodblock print; ink and color on paper

Dimensions

Image: 18 3/4 x 12 3/4 in. (47.6 x 32.4 cm)

Classification

Prints

Culture & Period

China · Five Dynasties period (907–960)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Paul Pelliot through the Morgan Library, 1924

Accession Number

CP5

Rights

Public Domain

Tags

BodhisattvasBuddhismAvalokiteshvara

Art Historical Context

This exquisite woodblock print, created by Lei Yanmei in 947 China's turbulent Five Dynasties period (–960), depicts the Bodhisattva Guanyinknown as the "Greatly Merciful,ly Compassionate Resc from Suffering." Measuring 18¾ × 12¾ inches, it showcases intricate ink and color on paper, a pioneering technique for its time. As one of the earliest dated polychrome woodblock prints, marks a pivotal moment in Chinese printmaking history, bridging religious devotion with technological innovation amid political fragmentation following the Tang dynasty. Guanyin's serene image, surrounded by symbolic elements of compassion, reflects Buddhism's profound influence in medieval China. Avalokiteshvara, the bodhisattva of mercy, was revered for aiding the suffering, making such prints vital tools for devotion and dissemination of teachings. The use of multiple woodblocks for layered colors demonstrates advanced craftsmanship, allowing mass production of sacred imagery for temples and laypeople. Acquired as a gift from Paul Pelliot via the Morgan Library in 1924, this rare treasure at the Metropolitan Museum of Art invites us to appreciate how art preserved spiritual solace in chaotic times. A testament to enduring faith and artistry! (198 words)

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