The Island of San Francesco del Deserto
ca. 1804–28
Medium
Pen and brown ink, gray wash
Dimensions
4 15/16 x 8 5/16 in. (12.6 x 21.1 cm)
Classification
Drawings
Department
Robert Lehman Collection
Museum
Metropolitan Museum of Art, New York, NY
Credit
Robert Lehman Collection, 1975
Accession Number
1975.1.358
Rights
Public Domain
Tags
Art Historical Context
Nestled in the serene Venetian Lagoon, *The Island of San Francesco Deserto* (ca. 1804–28) captures a tranquil vista by Giacomo Guardi, son of the renowned Francesco Guardi. This intimate drawing depicts the island's historic Franciscan monastery—founded in the 13th century by. Francis himself—with its clustered buildings and moored boatsting the water. Giacomo, continuing his father's legacy in the veduta tradition of precise, atmospheric cityscapes, sketched this during Venice's Napoleonic era, a time when the lagoon's timeless beauty offered respite amid political upheaval. Rendered in pen and brown ink with subtle gray wash on a modest 4 15/16 x 8 5/16 in. sheet, the work exemplifies 18th- and 19th-century draftsmanship. The fine ink lines delineate architecture with architectural fidelity, while the wash adds depth and misty luminosity, evoking the lagoon's ever-shifting light—a hallmark of the Guardi family's evocative style. As part of the Robert Lehman Collection at The Metropolitan Museum of Art, it highlights the intimate preparatory studies that underpinned grander Venetian views. This drawing not only preserves a slice of lagoon life but also underscores the Guardis' role in romanticizing Venice's topography, influencing later Romantic artists. Visitors will appreciate its poetic blend of history and horizon, inviting a moment of quiet reflection.
About the Artist
Giacomo Guardi · 1764–1835
Giacomo Guardi (1764–1835) was a Venetian painter who worked in the long shadow of his celebrated father, Francesco Guardi, one of the greatest vedutisti — view painters — of the eighteenth century. Born into one of Venice's most prominent artistic families, Giacomo received his training directly from his father, absorbing both the technical methods and the characteristic style that had made Franc...