The Magdalene

Art Historical Context

Elihu Vedder’s *The Magdalene* (c. 1884) offers a contemplative portrayal of the biblical figure Mary Magdalene, rendered with quiet intensity. Created during the artist’s mature period, the work reflects the late nineteenth century’s fascination with spiritual and symbolic subjects, inviting viewers to consider themes of redemption and devotion. What makes this piece particularly intriguing is its unusual technique. Vedder worked over a silver gelatin photograph with layers of crayon, gouache, graphite, and gold paint, mounted on board. This hybrid approach merges the mechanical accuracy of photography with the warmth and texture of hand-applied media, allowing the artist to infuse a sense of atmosphere and reverence into the image. The delicate use of gold paint further enhances the work’s luminous quality, suggesting a sacred presence. Now part of the National Gallery of Art’s collection through the generosity of Mr. and Mrs. Mark Borghi, the drawing demonstrates how artists of Vedder’s era experimented with new technologies while honoring timeless subjects.

About the Artist

Elihu Vedder · 1836–1923

Elihu Vedder was born on February 26, 1836, in New York City to Dr. Elihu Vedder Sr., a dentist, and his cousin Elizabeth Vedder. As a young boy, his family relocated to Cuba for his father's ventures, an experience that sparked his artistic aspirations amid the Caribbean landscapes. He later divided his time between a boarding school and his maternal grandfather Alexander Vedder's home in Schenec...