The main staircase of the monastery of El Escorial, from a series of Views of El Escorial
Medium
Etching and engraving
Dimensions
Sheet: 18 1/2 × 14 9/16 in. (47 × 37 cm) Image: 14 3/16 × 11 1/2 in. (36 × 29.2 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
Accession Number
24.63.499
Rights
Public Domain
Tags
Art Historical Context
This striking print captures the majestic main staircase of the Monastery of El Escorial, one of Spain’s most iconic architectural landmarks. Built in the late sixteenth century under Philip II, El Escorial served as a royal palace, monastery, and symbol of Spanish power during the Habsburg era. Created around 1790–1800 as part of a series titled Views of El Escorial, the image highlights the soaring arches, elegant columns, and dramatic perspective of the interior, inviting viewers to appreciate the building’s harmonious blend of Renaissance and classical design. The work was produced through etching and engraving, techniques that allowed for precise architectural detail and tonal depth. Manuel Alegre and José Gómez Navia worked with the Calcografía Real in Madrid, the royal printmaking workshop established to document and disseminate images of Spain’s artistic heritage. Such prints played an important role in the late eighteenth century, making grand interiors accessible to a wider audience beyond the monastery’s walls. Housed in the Metropolitan Museum of Art’s Department of Drawings and Prints, this sheet (measuring roughly 18½ by 14½ inches) reflects the period’s growing interest in topographical views and national identity. Its focus on the staircase’s imposing yet balanced space offers modern viewers a vivid connection to El Escorial’s enduring cultural significance.
About the Artist
Manuel Alegre|Calcografía Real, Madrid|José Gómez Navia (Spanish| |Spanish) · 1757 | |1768 –1812 | |
Spanish, 1757– ca. 1812| |Spanish, born 1768