The New Metamorphosis, Plate 6: The Story of Cupid and Psyche

Art Historical Context

This 1724 etching and engraving, Plate 6 from *The New Metamorphosis*, captures a pivotal moment in the timeless tale of Cupid and Psyche. Drawn from the ancient Roman novel *The Golden Ass* by Apuleius, the story was adapted for English readers by Charles Gon. The intimate scale of the print—just over five inches tall—reflects its original purpose as a book illustration, inviting close viewing of the mythological lovers whose trials and ultimate union symbolize the soul’s journey toward divine love. William Hogarth, still early in his career, contributed to this publication with his characteristic attention to narrative detail. Working in etching and engraving, he combined fine linear work with delicate tonal effects to bring the classical figures to life on the page. The second state of the print shows the care taken to refine the image for publication, highlighting the technical precision that would later define Hogarth’s celebrated satirical series. As part of the Metropolitan Museum’s collection of prints and drawings, this small work offers a charming window into how 18th-century audiences encountered ancient myths through affordable, beautifully crafted illustrations.

About the Artist

Charles Gildon|Lucius Madaurensis Apuleius|William Hogarth (British|British|Algerian) · 1697 |1660 |0120 –1764 |1724 |0224

British, London 1697–1764 London|British, ca. 1665–1724|M'Daourouch, Algeria ca. 124–after 170